![]() At the beginning of our discussion of Alain Resnais’s films in Arts of Impoverishment, Ulysse Dutoit and I ask : “Is there a nonsadistic type of movement? Would we go toward the world if we were not motivated by destructive impulses?” These questions seemed to us an appropriate response to Freud’s assumption of a fundamental, ineradicable antagonism between the human subject and the world. ![]()
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